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Thursday, September 23, 2004
Call Sheet
- So You Wanna Make a Movie: An FAQ
- Making the short film "Stull"
- Making Rain in the Mountains
- Making Bunker Hill
- Site Feed

In the Can
- Thursday Meeting
- Guerilla Marketing Tactics
- Film Resources
- Splitting the Atom
- It Was Only a Matter of Time...
- Sunday's Rehearsal
- All About my Shakespeare
- Special Thanks
- Build Your Own Steadicam Tutorial
- Yet Another Book on the Bookshelf
Word of Mouth
-
Resources
- Free Paperwork: Documents for Filmmakers
- Movie Books Reviewed
- Filmmaking Websites Reviewed
- List of Film Collaboration Websites
- Filmmaking Tax Credits by State
-
Movies
- Movie Review: Tim Burton's Alice in Wonderland
- Movie Review: Avatar
- Movie Review: The Hurt Locker
- Movie Reviews Archive
Favorites Re-released
- Hollywood 2.0: Turning Distribution Upside-Down
- Advice on DVD Mastering and Distribution
- Jessica Simpson Daisy Duke Hoopla
- What I Know About Web Video
- $14 Steadicam
- A Tale from the Set: Long Night's Journey
- Why did No Country for Old Men win Best Picture?
- Essay: Why did Crash win?
Movie making tips, news or questions?
Email: makingthemovie AT-SIGN gmail DOT com.
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1 Comments:
Hi John H.,
I'm a friend of one Greg H in your life. Great blog. But you've got to get a donation icon up so that persons with more money than sense (those most essential to the life of a film maker) can donate to the blog, or to the movie. Every cent helps. Maybe make your site a not-for-profit. Who knows? As Coppola, Lucas, Spielberg, Zemekis, Bertolucci and Romero dodder off into the twilight of the odds, they might donate a cisterci for a tax break.
Anyway, I'm going to bookmark you and pop in from time to time. OFs like me have to keep in touch with what is cinematically verite, er, groovy, er, cock, er, rad, er, vertical, er...(fast forward several decades)...dope, er, kewl, er, etc. some how.
Best,
DCW
P.S.: To make the site fully wheel chair accessible, I would also like to request a jargon watch panel similar to that found in Wired. Remember the oppressed screenwriter's motto: one word of dialogue can sometimes be worth a thousand pictures.
P.P.S: Whatever movies you make, please, please, make them move. My fogging corneas still revel in the feel of composed light dancing a myth on them.
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