=t2Final Draft, Inc. Final DraftaFFFF000000060002000177AA00000000007B000000002000110180499000480048-24F1785200CA-1A1A5A1A5D4306400647C41785328FFFF0106012CE00001000000CE0000000306DA408404F1304352E06C603CC0014291784351FD06DAE2140840435130AF92D474803CC003AED178AF91BE0E21199940840AF913017852E0B46038E007176D130178514500002000006E0000000006DA, Laundromat by J. Ott EXT. LAUNDOMAT - DAY - ESTABLISHING There are some trash cans visible at the mouth of an alley to one side. RAP MUSIC, or HEAVY METAL, or PUNK ROCK - some track that prides itself on being unlistenable. EXT. ALLEY - CONTINUOUS Music becomes louder on the cut. We pan from a tight shot of the trash cans to an open door on a car (whose stereo is the presumed source of the music) to the face of... GARY, teens, earring in his left ear, chewing gum. We follow along the graffitid wall to... CODY, teens, smoking a joint, a cold look in his eyes. Note: All people are shown only in tight close-ups. We do not know how tall they are. We do not know what they are wearing. CODY The dinosaurs, I bet they never saw it coming. He passes the joint to Gary, who nods in silent assent. INT. LAUNDOMAT - DAY Two or three machines in the whole place are on, loudly grinding the clothes within them. CUT TO: A LAUNDRY BASKET, moving down the aisles, carried by someone we cant yet see. The laundry basket pauses and hands unload from it several articles of loose hempen clothing and a yoga mat. A hand, also holding a pill bottle, feeds quarters into the machine. Tilt up from the hand to the face of... BHANU, a stressed-out yoga instructor. He pops a pill into his mouth and chews. CUT TO: Bhanu, now seated. On the wall behind him are signs like MANAGEMENT NOT RESPONSIBLE FOR CLOTHING LOST OR STOLEN. Bhanu puts a cell phone to his ear. BHANU Steve, I gotta tell you-- Om shanti to you too man, listen-- No. No. Im in a... (looks around) ...An effing laundromat right now. I said, Im in an effing laundromat. A laundromat. Yeah, it broke down. Im probably going to be like fifteen or so minutes late to the lesson. 00020000074D000006DA747,(pause) Okay, just do some sun salutations to warm up then. Sun salutations. I said do some-- CLOSE ON THE PHONE - the display reads Battery Low - Please Recharge. BHANU (CONT'D) (in lieu of shit) Shiatsu. He pops another pill. EXT. LAUNDOMAT - DAY The direction of the sunlight has changed. GARY You know how at the dentists, they put the metal implements in like plastic? CODY Yeah, to show theyre sterilized. GARY Yeah, supposedly. Doesnt fool me though. He takes a long drag. GARY (CONT'D) Doesnt fool me... INT. LAUNDOMAT - DAY Bhanu is asleep. CLOSE ON THE PILL BOTTLE - Tylenol PM. Snickers of laughter off-camera. The sound of the door chime. Bhanu wakes up. Hes groggy. He looks at the clock. Quarter after five. BHANU Son of a Bikram! CUT TO: His machine. Open. One lone shirt trails out. Bhanu is upset. He looks around. EXT. LAUNDOMAT - DAY Bhanu emerges from the shop. Looks toward the sounds of bad music drifting from the alley. EXT. ALLEY - CONTINUOUS Pan from the trash cans to Bhanu, coming around the corner fast and with a purpose. His eyes light up when he sees... Gary and Cody. They are leaning against the wall. We can see nothing different about them. BHANU Have you seen my clothes? GARY What, like other than the ones youre wearing? BHANU I was washing clothes in there; somebody took them. Silence. Cody removes an orange from (?) his pocket and starts peeling it. CODY Orange? BHANU No, I dont want orange. I want my clothes back. GARY Chillax, man. BHANU No, I will not chillax until I have my effing clothes back. CODY I wish we could help you man. Bhanu moves like hes going to bitch-slap Cody but at the last second decides instead to adjust Codys posture. When he does, the camera drops down to reveal that Gary and Cody are wearing yoga clothes. BHANU You have a lot of tension in your shoulders. 000200000B7E00000E21B78,Cody takes a deep hit off a joint. CODY Dont I know it, dude. BHANU Ok guys, heres the thing. Im sorta into non-violence. GARY What, like Ghandi? BHANU Yeah, pretty much exactly like that. GARY (to Cody) His refusal of your orange was like a hunger strike. BHANU Im asking you to give me my clothes back. GARY Are you? Or are you just taking the present progressive tense to avoid localizing your request to a specific and definite time? Bhanu bitch-slaps Gary. BHANU Give me back my clothes. GARY Geez, man. All you had to do was ask. As they take off the yoga clothes, we see they are wearing other peoples clothing under them. Gary wears a pregnancy dress; Cody a tuxedo shirt. BHANU Now wheres my yoga mat? Gary nods to the car. Bhanu removes the mat from the car. It has black streaks running across part of it. He smells it. He blanches. CODY Sorry, man. We sorta converted it for weed purposes. Bhanu walks over and bitch-slaps Cody. He then exits. Silence. GARY Wow. CODY Did not see that coming, man. Did you? GARY Friggin Ghandi pulling a Dirty Harry? No way. Silence. Cody passes Gary some orange. GARY (CONT'D) Just like the dinosaurs, man. Just like the dinosaurs. Cody nods his head in appreciation as we... FADE OUT. Creative Commons License
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(O.S.) (O.C.) (CONT'D) (SUBTITLE)EsTTR CUT TO: FADE IN: FADE OUT. FADE TO: DISSOLVE TO: BACK TO: MATCH CUT TO: JUMP CUT TO:FADE TO BLACK.FRsTSI=INTEXTI/E8LAUNDOMAT - DAY ALLEYGUsTST DAY NIGHT AFTERNOON MORNING EVENING LATER MOMENTS LATER CONTINUOUS THE NEXT DAY ESTABLISHINGYmCRO9INTINT. Scene Heading01119EXTEXT. Scene Heading01128I/EI/E Scene Heading0113@DAY - DAY Scene HeadingAction0114DNIGHT - NIGHT Scene HeadingAction0115HSUNRISE - SUNRISE Scene HeadingAction0116DMAGIC - MAGIC Scene HeadingAction0117GCONT continuing ParentheticalDialogue0118JINTER interrupting ParentheticalDialogue0119$0110GCUTTOCUT TO: Transition Scene Heading1111EFADEINFADE IN:Action Scene Heading1112KFADEOUT FADE OUT. Transition Scene Heading1113IFADETOFADE TO: Transition Scene Heading1114MDISSLV DISSOLVE TO: Transition Scene Heading1115IBACKTOBACK TO: Transition Scene Heading1116PMATCHCUT MATCH CUT TO: Transition Scene Heading1117NJUMPCUT JUMP CUT TO: Transition Scene Heading1118BFBLACKFADE TO BLACK. 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